Fatal Heartbreak


Nothing is ours.  Identification with things and concepts will kill us.  Thinking that our cars or houses define who we are is almost as shallow as thinking that we are defined by our feelings, thoughts, dreams, that we are defined by love and pride and passion.  At least those objects will remain after we die; they’ll remain each time we die while we arrogantly search for new traits to adorn ourselves with, while we become Dr. Frankenstein, creating not monsters but vast amounts of nothing.  After each little death that we experience, our grasp of what is ours weakens.  No one, though, can take those deaths away from us.

Heartbreak is the noblest form of murder.  When a loved one dies, when love itself dies, when Country dies, it is not something to get over.  It is something with which you let yourself die.  A writer can never duplicate past work after a part of him is dead.  That work is no longer his and any attempt to replicate it is theft; it is the plagiarism of someone who does not exist.  Characters who once shined with life and vivid complexity are reduced to fake-sounding names with personas based on nothing. 

Creativity is not ours and we, like fools, continually give others the power to destroy it.  When she turns out to be a specter, bereft of all that you once saw so clearly; when the Movement turns out to be lie, a conflagration of venom and egos; when you turn out to be a sucker, duped by that which you thought you possessed, then heartbreak will deliver its fatal blow.  Let that person die.  He’ll never be who you wanted him to anyway.             


© 2004 Aaron Sussman. All rights reserved.

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